Missouri Chamber Music Artists
Alejandro Valdepeñas, viola
Originally from Toronto, Alejandro Valdepeñas enjoys a multi-faceted career as a violinist and violist. He joined the St. Louis Symphony Orchestra as Associate Principal Viola at the start of the 2022/2023 season.
Valdepeñas made his solo debut on violin at the age of 9 with the Toronto Symphony Orchestra and Sarah Chang. Recent engagements include performances and recordings with the Amici Chamber Ensemble and the Toronto Symphony Orchestra Chamber Soloists. He has spent
multiple summers as a violinist with the Santa Fe Opera and has also performed with the Calgary Philharmonic Orchestra.
In the summers, Valdepeñas has performed at the Aspen Music Festival and School and Norfolk Chamber Music Festival at Yale. His future summer engagements include performances at Santa Fe Chamber Music Festival.
Valdepeñas received his Bachelor of Music degree from the New England Conservatory studying with Paul Biss, and his Master of Music degree from Rice University studying with Paul Kantor.
Aleksis Martin, clarinet
Aleksis Martin is a clarinetist from Saint Charles, Missouri. He performs regularly as a substitute with the St. Louis Symphony Orchestra and Symphony New Hampshire and has appeared as a guest artist with the Hartford Symphony Orchestra, New World Symphony, and The Orchestra Now. A dedicated chamber musician, he is active in Boston’s contemporary music scene performing with the ECCE ensemble, Callithumpian Consort, and the Boston Annex Chamber Players. His primary teachers were Thomas Martin of the Boston Symphony Orchestra and Scott Andrews of the St. Louis Symphony Orchestra.
Amanda Stewart, trombone
Amanda Stewartis currently the Associate Principal Trombonist of the St. Louis Symphony Orchestra, a position she began in the Fall of 2014. Born in Oakland, Maryland, she began playing the trombone at the age of six. Her studies started with Harold Hudnall and continued with Dr. H. Keith Jackson, current Dean of the College of Creative Arts of West Virginia University. She received her bachelor of music degree from The Juilliard School, studying with Joseph Alessi.
As an orchestral musician, Ms. Stewart has played with numerous orchestras. She was Principal trombonist of the San Antonio Symphony for eight seasons, Assistant Principal trombonist of the Lyric Opera of San Antonio for four seasons, and Associate Principal trombonist of the New York Philharmonic for two seasons. Ms. Stewart has also been a regular substitute and extra player with the Boston Symphony and has toured with them internationally. In other performing capacities, Ms. Stewart is a current member of the trombone ensemble, STL Trombones. She has also performed as a member of the Burning River Brass and the San Antonio Brass. As an educator, Ms. Stewart currently teaches at Washington University in St. Louis. For part of the 2025 Spring Semester, she served as an adjunct Assistant Professor of Music at Indiana University’s Jacobs School of Music. Also, Ms. Stewart has also given masterclasses at many national universities and conservatories, including the New England Conservatory, Rice University, and The Juilliard School. Ms. Stewart is an Edwards artist, performing on Edwards trombones and Griego Mouthpieces.
Andrea Jarrett, violin
Named a 2009 Presidential Scholar in the Arts by the U.S. Department of Education, violinist Andrea Jarrett received her Master of Music Degree from the Shepherd School of Music at Rice University in May 2015. While obtaining her degree, Jarrett was a student of Kathleen Winkler and served as concertmaster of both the chamber and symphony orchestras. She received her Bachelor of Music Degree from the Juilliard School in 2013, where she studied with David Chan. Jarrett joined the second violin section of the St. Louis Symphony Orchestra in September 2015.
Prior to her appointment with the SLSO, Jarrett participated in the 2013 New York String Orchestra Seminar under the direction of Jaime Laredo. While attending Juilliard, Andrea gave the world premiere of composer Neil Rolnick’s concerto for violin and electronics in November 2012, Gardening at Gropius House. In the same year, Jarrett served as concertmaster of the Juilliard Chamber Orchestra. Another highlight during her undergraduate years was her performance of the Mendelssohn Octet in the Chamber Music Society of Lincoln Center’s Meet the Music! Concert Series. Jarrett was a member of the first YouTube Symphony Orchestra in 2009, with concerts in Carnegie Hall under the baton of Michael Tilson Thomas. A native midwesterner, Jarrett has performed as a soloist with the Dearborn, Birmingham-Bloomfield, Toledo, and Ann Arbor symphony orchestras.
During her high school years, Jarrett was a member of the Music Institute of Chicago’s Academy program, where she studied with Almita and Roland Vamos. Jarrett received the Silver Award in Music/Violin from the National Foundation for Advancement in the Arts in January of 2009. Also an active chamber musician, Jarrett was a member of Quartet Polaris, Gold Medal Winners of the 2008 Fischoff National Chamber Music Competition, Junior Division. She performed with Quartet Polaris on NPR’s From the Top. The quartet also performed in The Kennedy Center and Carnegie Weill Hall as part of an East Coast tour through the Music Institute of Chicago.
Jarrett’s summer studies have brought her to many corners of the world. She attended the Taos School of Music in 2013, where she worked closely with the Borromeo and Brentano String Quartets to perform Beethoven’s entire quartet cycle. In 2012, Jarrett traveled to Japan to attend the Pacific Music Festival, where she served as concertmaster under Fabio Luisi. Other festivals attended include Music Academy of the West, Spoleto Festival, Astona International Academy (Switzerland), Heifetz International Music Institute, and Interlochen Arts Camp. Since beginning her position in the SLSO, Andrea has served as Concertmaster of the Lakes Area Music Festival and has performed several seasons with the Sun Valley Summer Symphony.
Benedetta Orsi, mezzo soprano
Italian American mezzo soprano Benedetta Orsi has been praised as the “perfect voice for Belcanto” by Spanish mezzo-soprano Teresa Berganza. Recently recognized by Missouri Arts Council as one of their Featured Artists, she was awarded the Paul Harris Fellow as one of the most influential Italian excellences to spread Italian culture and art abroad. She is one of only a few contemporary mezzo sopranos to have performed all three of Donizetti’s Tudor Operas: Jane Seymour in Anna Bolena, Elisabetta in Maria Stuarda and Sara in Roberto Devereux with Royal Opera Theater in Manchester, UK. She has most recently been seen as Adalgisa in Norma and as the title role in Carmen with Winter Opera St. Louis, Mamma Lucia in Cavalleria Rusticana with the New Jersey Festival Orchestra, Ulrica in Un Ballo in Maschera with the Miami Lyric Opera, and Maddalena in Rigoletto with Amore Opera. Along with concert appearances at Carnegie Hall and throughout Italy, Austria, England, France, Spain, the United States, Brazil, and the Dominican Republic, she is very involved in the St. Louis musical scene, collaborating with the Sheldon, Chamber Music Society, the St. Louis Philharmonic Orchestra, the World Chess Hall of Fame, Washington University Symphony Orchestra, and more.
Future collaborations: Mahler’s Symphony No.2 in Panama, Chamber Music Society conducted by Leonard Slatkin, Chamber Project St. Louis, World Chess Hall of Fame, a new opera “Flames and Shadows”, Benedetta Orsi & Friends.
Bjorn Ranheim, cello
Cellist Bjorn Ranheim was appointed to the St. Louis Symphony Orchestra in 2005 and is a Sun Valley Music Festival member in Idaho. He served as principal cellist with the Colorado Music Festival from 2006–2015 and has performed and toured with the orchestras of Cleveland, Atlanta, Detroit, and Baltimore.
Ranheim has been featured as a soloist on multiple occasions with the SLSO, New World Symphony, and Colorado Music Festival, as well as with the Monteux Festival Orchestra, St. Louis Philharmonic, Metropolitan Orchestra of St. Louis, Columbia Civic Orchestra, National Repertory Orchestra, and the Washington University Symphony Orchestra.
Ranheim has toured extensively in the United States, Europe, and Central America, actively performing in chamber music, with performances at Carnegie Hall, Boston’s Gardner Museum, Teatro Nacional de Costa Rica, and the Guggenheim Museum in Bilbao, Spain. He has participated in the Isaac Stern Chamber Music Seminar, Costa Rica International Chamber Music Festival, Amelia Island Chamber Music Festival, Jackson Hole Chamber Music Festival, and Missouri Chamber Music Festival.
Ranheim is highly visible throughout the St. Louis region, presenting recitals, educational programs, and chamber music performances. In January 2020, he was featured alongside St. Louis Symphony Orchestra Artist-in-Residence, pianist Jean-Yves Thibaudet in Shostakovich’s Piano Trio No. 2 as part of Washington University’s Great Artist Series. He is a frequent recital partner of famed soprano Christine Brewer and is a core member of the Chamber Music Society of St. Louis. He was the cellist with Washington University’s Eliot Piano Trio with St. Louis Symphony concertmaster David Halen and the late pianist Seth Carlin. Ranheim’s recording of J.S. Bach’s Suite No. 3 for Unaccompanied Cello was released on AAM Recordings in 2013.
He lives in the historic Shaw neighborhood of St. Louis with his wife, Dorie, their beautiful daughters, Inga and Frey, and their Hungarian Vizsla, Ginger.
Brendan Fitzgerald, bass
Brendan Fitzgeraldwas appointed to the St. Louis SymphonyOrchestra double bass section in 2019 by Music Director StéphaneDenève. Prior to this, he spent two seasons in the SeattleSymphony. From 2015 to 2017, he was a member of the CivicOrchestra of Chicago, during which time he was a regular substitutemusician with the Milwaukee Symphony Orchestra. He is a frequentguest in Chicago, San Francisco, and Philadelphia, and summerengagements include the Sun Valley Music Festival, Lakes AreaMusic Festival, and Bellingham Music Festival where he served asPrincipal Bass. In St. Louis, he maintains a private teaching studio and is also Lecturer inString Bass at Southern Illinois University–Edwardsville.
Carolina Neves, viola
Carolina Neves is a Brazilian-American violinist/violist living in the St. Louis area. Carolina began her studies at the age of 5 in Belém, Brazil. She studied at the Carlos Gomes Conservatory under Evgeni Ratchev and Nikholai Khit. At the age of 15, she immigrated to the United States with her family to pursue her violin studies. Carolina holds undergraduate and master degrees in violin performance from the University of Missouri-Columbia under the instruction of professor Eva Szekely. Carolina has performed in North and South America as a soloist, chamber and orchestral musician. She is principal violist of the MUNY, and regularly performs with the Metropolitan Orchestra of St. Louis, Paducah Symphony Orchestra, Illinois Symphony Orchestra, Union Avenue Opera, the Missouri Symphony, St. Louis Chamber Soloists, and Winter Opera St. Louis. Previous engagements include the Esterhazy String Quartet, Astraios String quartet, Odyssey Chamber Music Series, and Teatro da Paz Symphony Orchestra. Carolina also enjoys performing a broad range of musical styles. Most recent recording artists include Michael Bublé, Transiberian Orchestra, Video Games Live, the Eagles, The Who, The Beach Boys and others.
Caroline Robinson, harp
Caroline has been sharing her passion and love for the harp since the start of her training in 2012. The unique sound and artistry has allowed her to actively perform for a variety of events and venues.
Caroline has built a strong classical background, base for her technique, and knowledge of repertoire for the harp. She was a student of Megan Stout, co-principal harpist of the St. Louis Symphony Orchestra. She is a graduate of the Jacobs School of Music at Indiana University with a Bachelor’s degree in Harp Performance where she studied under the direction of Elżbieta Szmyt, Chairperson of the harp department. She is currently pursuing her Graduate degree at the University of Oklahoma under the direction of Gaye LeBlanc, principal harpist of the Oklahoma City Philharmonic.
Caroline is an active freelance harpist playing with orchestras, chamber ensembles, jazz bands, private events, and recording studios. She has played professionally as the principal harpist for Opera Edwardsville, Union Avenue Opera St. Louis, University of Oklahoma Orchestras, Norman Philharmonic, Tulsa Symphony, and the Oklahoma City Philharmonic.
Caroline is currently finishing her first year as a Graduate student at The University of Oklahoma and looks forward to coming back to St. Louis to play harp in the city and visit family.
Catherine French, violin
Canadian violinist Catherine French, a member of the Boston Symphony Orchestra since 1994, has established herself as a versatile and accomplished soloist and chamber musician in addition to her distinguished orchestral career. Ms. French garnered the grand prize at the Canadian Music Competition, the CBC Radio Competition, and the National Competitive Festival of Music, Canada’s three major music competitions. She has performed as a soloist with many leading Canadian orchestras and given recitals throughout North America and Argentina. Ms. French was featured with the Juilliard Orchestra and James de Preist, the Boston Pops and John Williams, and at Carnegie Hall in her debut with David Gilbert.
Lauded for her “superbly lyric” playing and her “amazing level of artistry” by Strad Magazine, Ms. French is a dedicated Calyx Piano Trio and Collage New Music member. Her avid interest in chamber music has led to performances at the Marlboro, Banff, Portland, Carolina, and Missouri chamber music festivals, quartet tours of Germany and China, and annual concerts as part of the Prelude series at Tanglewood and the Curtisville Consortium. Ms. French has recorded for Albany Records and is featured in Donald Sur’s Berceuse for Violin and Piano with pianist Christopher Oldfather.
Catherine French began Suzuki violin at age four, then continued her studies under the esteemed Canadian pedagogue Dr. Lise Elson. Ms. French graduated from Indiana University with a Bachelor of Music degree and a Performer’s Certificate, then earned a Master’s degree from the Juilliard School. Her teachers were Miriam Fried, Felix Galimir, and Joel Smirnoff.
Chloé Thominet, violin
French born violist Chloé Thominet has performed as soloist, chamber musician and orchestral player across the United States in major halls such as Alice Tully Hall, Carnegie Hall, and Symphony Center of Chicago, as well as in her native France. She has collaborated with renowned artists such as violists Victoria Chiang and Jeffrey Irvine, pianist Robert McDonald, and violinist Itzhak Perlman, Robert Walters. Her interest in new music and desire to explore new repertoire has led her to work with composers Sato Matsui, and Nokuthula Ngwenyama.
Some recent performance highlights include the recording of Tyshawn Sorrey’ “Sentimental Shard” as part of the Civic Orchestra of Chicago’s series released on CSO TV and the premiere of “Stardust” for English Horn and string quartet by Augusta Read Thomas in collaboration with Nexus Chamber Music.
As an orchestral player, she has appeared with prestigious ensembles such as the Chicago Symphony Orchestra, the Pittsburgh Symphony Orchestra, the Lyric Opera Orchestra, and the Naples Philharmonic, and was the co-principal of the Chamber Orchestra of New York for several seasons. She currently holds a temporary position with the Saint Louis Symphony Orchestra.
She attended the Young Artist Program at the Cleveland Institute of Music where she subsequently earned a Bachelor of Music degree under the tutelage of Jeffrey Irvine. She went on to complete her Master of Music degree studying with Heidi Castleman and Misha Amory at The Juilliard School as a recipient of a Kovner Fellowship. She holds a doctoral degree from the Bienen School of Music at Northwestern University, where she studied with Helen Callus.
Chloé’s instrument was provided by a scholarship grant from the Virtu Foundation.
Davin Rubicz, cello
Cellist and educator Davin Rubicz began his studies in early childhood with the Suzuki method. After attending intensive summer music programs like the Indiana String Academy, ENCORE School for Strings, and Music Academy of the West, he went to the Cleveland Institute of Music and Rice University, studying with Richard Aaron and Norman Fischer and completing a BM and MM in cello performance. During college, he spent his summers at the Spoleto Music Festival (Italy), Taos School of Music, and Aspen Music Festival.
As a performer, Davin held section cello positions with the Kansas City Symphony, Atlanta Symphony Orchestra, Saint Louis Symphony Orchestra, and has also played with the Chicago Symphony Orchestra. He has been featured on concert series such as LaJolla SummerFest, Amelia Island Chamber Music Festival, Missouri Chamber Music Festival, Ariel Concert Series, Chamber Music Society of Saint Louis, and the Pulitzer Arts Foundation Series.
As an educator, Davin has a cello studio in St. Louis and has held teaching positions in the preparatory departments at the Cleveland Institute of Music and Rice University. He was previously a faculty member at the Mercer School of Music, the Southern Illinois University Edwardsville Suzuki program, and currently teaches at Gateway Music Outreach. He was also the Artistic Director of the Prep Program at the Community Music School of Webster University, coordinating chamber music groups and coaching advanced high school classical musicians in the greater Saint Louis area and then Director of Education for the Chamber Music Society of Saint Louis before leaving arts administration to focus solely on performing and teaching.
Outside of music, Davin enjoys practicing yoga, gardening, and riding his electric unicycle.
Eva Kozma, violin
A native of Romania, Eva Kozma began her tenure as the St. Louis Symphony Orchestra’s Assistant Principal Second Violin in September 2004.
Studying violin in Romania and at McGill University, Kozma has performed with the Targu Mures Philharmonic and the Societe Philharmonique de Montreal. Additionally, she received a Fellowship at the Tanglewood Music Center and performed with the New World Symphony in Miami before her appointment with the SLSO.
With the SLSO, she considers participating in community and education programs one of the most valuable roles. She enthusiastically participates in SLSO appearances at St. Louis-area schools, hospitals, and other community spaces. As a soloist, she performed Ravel’s Tzigane under David Robertson in 2015 and Hubay’s Hejre Kati at the 2018 New Year’s Eve concert.
Kozma is an enthusiastic chamber musician who performs with small ensembles around the St. Louis region. She is a member of the Chamber Music Society of St. Louis and has performed at the Missouri Chamber Music Festival and the Gesher Music Festival. She also enjoys performing at Westminster Presbyterian Church and teaching children in her neighborhood.
She lives in Olivette with her husband, a talented sculptor, and her three children, all of whom also play string instruments. She enjoys spending time with her family and staying active with outdoor activities, including hiking, biking, camping, and traveling to her native Romania.
Florent Ghys, bass
French double bassist and composer Florent Ghys’ music has been described as “highly contrapuntal, intelligent and inventive…” (WQXR-FM), and a “thrilling breed of post-
minimal chamber music” (Time Out NY). His pieces “blend elements of minimalism, pop music, and a dose of extravagant wit” (John Schaefer, WNYC) while his cat videos “have
attained viral fame” (Alex Ross, The New Yorker). Ghys has written music for some of today’s most influential ensembles and soloists, including the Bang on a Can All-Stars, New Jersey Symphony Orchestra, So Percussion, Nick Photinos, and Jack Quartet. His music has been performed at the Lincoln Center, BAM, the Barbican Center, MIT, Sydney Opera House, and the Muziekgebouw.
Ghys holds a Maîtrise in ethnomusicology, a Diplôme d’Études Musicales in double bass performance, a M.M. in music theory and composition, a Masters of Fine Arts, and a PhD in music composition and technology from Princeton University.
Hannah Ji, violin
Violinist Hannah Ji joined the first violin section of the St. Louis Symphony Orchestra in 2020 after spending two seasons as a one-year replacement member. Ji’s playing has been hailed by critics as “engaging, mature, well thought-out, and honed down to the finest details” (głos na Wieniawskiego, Polish Radio Journal). She holds a Bachelor of Music degree from Curtis Institute of Music, studying with the late Aaron Rosand, a Master of Music degree from The Juilliard School, studying with Ida Kavafian, and an Artist Diploma from The Colburn School, studying with Robert Lipsett. She began her musical studies at age seven in South Korea and previously attended Manhattan School of Music’s Precollege Division, studying with Grigory Kalinovsky.
Ji’s performances have been widely publicized as a soloist on NPR’s “From the Top,” Philadelphia’s WHYY, Taos’ KTAOS Solar Radio, and “Live from Lincoln Center” by PBS, which broadcast throughout North America. She performed in Canada Day concerts with Maestro Pinchas Zukerman in Centre National des Artes, with pianist Jeremy Denk for the non-profit organization “The Art of Giving Back,” and a gala concert with cellist Yo-Yo Ma and the Silk Road Ensemble at Lincoln Center. Ji has also performed at The John F. Kennedy Center for the Performing Arts, The Metropolitan Museum of Art, David Geffen Hall, Carnegie Hall, Steinway Hall, Walt Disney Concert Hall, and A. Mickiewicz University Hall in Poland. She has also recently performed at the United States Embassy of Canada.
As a classical and contemporary chamber musician, Ji has collaborated with renowned groups and artists such as Jamie Laredo, Jennifer Koh, Roberto Díaz, The Borromeo String Quartet, The Calidore String Quartet, and Time for Three. She has worked with members of the Borromeo, Brentano, Shanghai, Emerson, Guarneri, and Orion String Quartets, respectively. Ji has actively participated in The Juilliard School’s ChamberFest and Focus! Festival, which features U.S. and world premieres of works by composers around the world. She was also a contemporary ensemble artist at Atlantic Music Festival. As an orchestra musician, she served as Concertmaster and Principal Second with Symphony in C, Spoleto Festival USA, YMF Debut Orchestra, The Colburn School, The Juilliard School Orchestra, and Curtis Symphony Orchestra. She has participated in the Sarasota Music Festival, Music Academy of the West, Artosphere Festival Orchestra, Taos School of Music Festival, Bowdoin International Music Festival, Summit Music Festival, and the National Arts Centre’s Young Artist Programme.
Additionally, Ji has held Artist Faculty positions at The Danbury Music Centre’s Chamber Music Intensive, The Bronx Conservatory of Music, Manhattan in the Mountains, and The Curtis Institute’s SummerFest Young Artists Program & Adult Chamber Music Program. She was a substitute faculty member at The Manhattan School of Music Precollege Division. Ji had a large studio in New York City, the students of which have been accepted to conservatories and summer festivals nationwide. She currently enjoys working as a mentor through the SLSO’s Mentoring the Music: Peer to Peer program.
Hugh Hinton, piano
Hailed for his “aristocratic approach to music making” (Cleveland Plain Dealer) and called “an exceptionally fine interpreter of contemporary music” (Boston Globe), pianist Hugh Hinton has performed throughout the United States and abroad as a soloist, chamber musician, and collaborative pianist. He has performed at New York’s Merkin Hall, Jordan Hall, and Gardner Museum in Boston, Phillips Collection (Washington, DC), and Flagler Museum (Palm Beach, FL.) International appearances include Japan, Korea, Australia, Russia, Ukraine, Moldova, England, Italy, and a tour of the Middle East (Saudi Arabia, Kuwait, Oman, and Syria) sponsored by the United States Information Agency. He has appeared with the Phoenix, Honolulu (Hawaii), and New Hampshire Symphonies, and with the Florida Philharmonic, under the batons of conductors JoAnn Falletta, James Sedares, Derrick Inouye, and James Bolle. Hinton has appeared at many summer music festivals, including performances at Tanglewood’s Seiji Ozawa Hall and at the Monadnock Festival in New Hampshire, where he performed Elliott Carter’s Piano Quintet. He has frequently performed chamber music with members of the Boston Symphony Orchestra in Boston Symphony Orchestra Prelude and Community Chamber Concerts and appeared with members of the St. Louis Symphony at the Missouri Chamber Music Festival. A champion of contemporary music, Hinton performed music by John Cage under the supervision of the composer and premiered compositions by Chinary Ung, Jeffrey Mumford, Osvaldo Golijov, Augusta Read Thomas, and Pulitzer-winner Bernard Rands. A special project was Stockhausen’s Mantra, a landmark 70-minute work for two pianos and electronics performed at the REDCAT recital hall in the Walt Disney Concert Hall in Los Angeles. Hinton had a long musical relationship with Pulitzer-winner Donald Martino, working closely with the composer on many pieces and recording Martino’s 12 Preludes for Solo Piano for New World Records. Hinton’s recordings of contemporary and chamber music have been released by the Naxos, Etcetera, CRI, New World, Newport Classics, and MMC labels, and many can be found on YouTube and music streaming sites. A prizewinner in the Casadesus
(Cleveland) and Washington International Piano Competitions, Hinton has also received the
Arthur W Foote Award, and the Samuel and Esther Chester Performance Award and was
chosen to be a United States Information Service Artistic Ambassador.
Hinton has been a member of the imaginative contemporary music group Core Ensemble since its founding in 1993. He has performed with Core Ensemble in all 50 US states. Core Ensemble has pioneered programs that meld chamber music with theater, advancing a vision of social justice. Core Ensemble programs highlight the music of African American, Latinx, Asian and women composers. Core Ensemble has performed in schools and community centers nationwide, bringing its music beyond the concert hall. Core Ensemble has also developed community-based oral history music theater programs, bringing the stories of marginalized communities, such as farmworkers and immigrants, to the stage.
A native of Louisiana, Hinton earned a Bachelor’s degree from Harvard University and a Master’s and Doctor of Musical Arts degrees from New England Conservatory. He studied piano with Lev Vlassenko, Mykola Suk, Russell Sherman, Wha-Kyung Byun, Jeaneane Dowis, Jonathan Woods, and Constance Carroll. Hinton began lessons at age six, performed in public at age eight, and soon appeared with local orchestras. While in high school, he performed in youth concerts with the Boston and Dallas Symphonies and the New Orleans Philharmonic.
A passionate educator, Hinton has taught piano at the Longy School of Music of Bard College since 1998 and is in demand as an adjudicator for master classes. Hinton also teaches contemporary piano at Longy, introducing students to chance music, playing inside the piano, graphic notation, and performing the music of John Cage. Hinton’s piano students are frequently accepted into DMA programs and can be found in professional careers throughout the music field. In addition to concertizing and teaching, Hinton is active as a church musician, liturgical pianist, and organist and can guide students interested in this area. Hinton is the music director and organist at Plymouth Congregational Church (UCC) in Belmont, MA, and directs campus music activities at Merrimack College (North Andover, MA.)
James Sommerville, conductor
As a conductor, French Horn soloist, and orchestral musician, James Sommerville’s multi-faceted career has graced the greatest stages of Canada and the world. He led the Hamilton Philharmonic Orchestra to great critical acclaim in his seven seasons as Music Director, and conducts regularly around the globe. Recent appearances include the Okanagan, Fort Wayne, Toronto, London (Ontario) and Québec Symphony Orchestras. Internationally, Mr Sommerville has been conductor of the US National Brass Ensemble in concert and on their award-winning CD of music of Gabrieli and John Williams.
James Sommerville retired as Principal Horn of the Boston Symphony Orchestra in 2022, after a glittering 25 year tenure, capping an orchestral career that included seasons with the Toronto and Montreal Symphony Orchestras, the COC Orchestra, Symphony Nova Scotia, and the Chamber Orchestra of Europe. The winner of the highest prizes at the Munich, Toulon and CBC solo competitions, Mr. Sommerville also pursued a glittering career as a soloist, and has brought immensely successful appearances with major orchestras throughout the Americas, Europe, and Asia. His disc of the Mozart Horn Concertos with the CBC Vancouver Orchestra won the JUNO Award for Best Classical Recording in Canada. He is heard regularly on the CBC network and has recorded all of the standard solo horn repertoire for broadcast. He has commissioned and premiered works from many young Canadian and international composers, including Kati Agócs, Vivian Fung, Nicole Lizée, Kelly-Marie Murphy, Abigail Richardson-Schulte, Christos Hatzis, and Eliott Carter.
Mr. Sommerville is currently Artistic Advisor to the Kitchener-Waterloo Symphony and the Windsor Symphony Orchestra.
Jelena Dirks, oboe
Appointed Principal Oboe of the St. Louis Symphony Orchestra by David Robertson in December 2013, Jelena Dirks is the third generation of professional, female musicians in her family. A San Diego native, she grew up in a profoundly musical household with generations of musical training all the way back to her baritone great-great grandfather. Her mother, former Chicago Symphony Violist Karen Dirks, as well as her father and maternal grandmother (who were both cellists and stand partners in the San Diego Symphony) made sure music was a part of her life from the beginning. As a youth, Dirks spent many hours dancing ballet and playing the piano, until at age eleven, she ceaselessly begged her parents for an oboe. From there she began a lifelong balancing act between the oboe and the piano eventually receiving dual Master’s degrees in Piano and Oboe Performance from the University of Michigan. While oboe is now the heart and soul of her musical life in St. Louis, the piano still holds a special place as her first love. Dirks began her professional musical career as a substitute replacement second oboist with the Chicago Symphony leading to five years of regular performances, tours, and recordings. She was on the faculty of DePaul University from 2005-2014 where she taught both piano and oboe and was the woodwind coordinator. Known for her “luminous solos” (Chicago Classical Review), she is highly sought after as both a teacher and performer, having performed in symphonic and chamber music performances around the world.
Jen Gartley, flute
Jennifer Gartley, flute, was born in Maine and grew up on the Isle of Palms, South Carolina along the barrier islands of the Carolina coast. She graduated with the Doctor of Musical Arts degree from the University of Illinois at Urbana-Champaign with research focusing on contemporary piccolo literature. She counts Jonathan Keeble, Mark Sparks, Katherine Kemler, and Tacy Edwards among her most influential teachers. As an orchestral musician, Jennifer has performed with St. Louis Symphony Orchestra, Opera Theatre of Saint Louis, Sinfonia da Camera, Colorado Music Festival, Bach Society of St. Louis, Fox Theater, Baton Rouge Symphony Orchestra, Illinois Symphony, and the Owensboro Symphony and served as the principal flutist for Winter Opera Saint Louis and Associate Faculty at McKendree University for over a decade. As a concerto soloist, she has been featured with orchestras in Missouri, Illinois, and Louisiana. She has been grateful to perform in masterclasses for William Bennett, Emmanuel Pahud, and Carol Wincenc.
Jennifer is the Artistic Director and founding flutist of Chamber Project Saint Louis, an ensemble dedicated to the performance and commissioning of new and diverse voices in the chamber music field presenting full seasons of adventurous programming in the St. Louis region. As a member of Premier Duo, STL with harpist Megan Stout, she has been featured on concert series across the Midwest. Jennifer holds teaching appointments at Washington University in St. Louis and Webster University.
Jennifer Lucht, cello
Jennifer Lucht is a native of North Carolina. Praised for “superb” playing by the Boston Globe and “beautiful, finely detailed sound” by the Boston Herald, she has been a concert soloist with orchestras, including the Metamorphosen Chamber Orchestra and Vermont Symphony. As a chamber musician, she has been heard in chamber music performances at the Kennedy Center, Weill Recital Hall, Tanglewood, the Ravinia, and Bravo! Vail Festivals, and on the Greater Philadelphia Performing Artists Series and NPR’s live broadcast “Performance Today.”
Ms. Lucht is currently a member of the Calyx Piano Trio and performs with the Boston Pops Esplanade Orchestra in Boston and on tours throughout the US, Canada, and Japan. She is a Co-Director and founded the Carolina Chamber Music Festival in New Bern, North Carolina. She can be heard in chamber music recordings on the New World, Albany, and Archetype labels. Ms. Lucht received her Bachelor’s and Master’s degrees with a Performer’s Certificate from Indiana University and continued her education with post-graduate studies at the New England Conservatory of Music. Her prominent teachers include Janos Starker, Tsuyoshi Tsutsumi, Laurence Lesser, Colin Carr, and Carter Brey.
Jennifer Nitchman, flute
Jennifer Nitchman has held the position of Second Flute with the St. Louis Symphony since 2003. An active teacher, she is on the faculty of Saint Louis University and has appeared as a guest artist and clinician at numerous institutions and flute festivals as well as maintaining a private flute studio in her home. Ms. Nitchman has also performed with the Boston Symphony Orchestra, Baltimore Symphony Orchestra and Fort Wayne Philharmonic, as well as the Britt and Brevard Music Festivals. She previously held the position of Assistant Principal Flute with the United States Army Field Band in Washington, DC. Jennifer lives in St Louis Hills with her husband and two cats. They are committed city residents who have renovated homes in two different neighborhoods. She also serves on the board of Tenth Life Cat Rescue, which prioritizes saving cats with special needs. You can follow the exploits of her blind cat Stevie on Instagram at @steviepeeperscat. When she isn’t playing the flute or trying to get you to adopt a cat, she enjoys cooking, obsessively reading cookbooks, trying to grow her own food and traveling.
Julie Thayer, horn
Julie Thayer joined the St. Louis Symphony as 4th Horn in 2014. Before that, she was acting 4th Horn with the Los Angeles Philharmonic for two years, and she began her career as 4th Horn of the Houston Symphony in 2009.
Thayer studied at the Eastman School of Music and Rice University, where she dreamed of landing a job like the one she has today — playing in one of the world’s best horn sections, in an outstanding orchestra rich with history, in a beautiful city.
When she’s not on stage, you can find Julie literally herding cats at Tenth Life Cat Rescue, where she serves passionately as a board member caring for the neediest cats in St Louis; or at her historic Soulard home with her own “4.75 cats” (Freddie, Fry, Robie, Jet, and three-legged Bubbino) and her partner Travis, who co-owns the nearby restaurants Polite Society and The Bellwether.
Kevin Ritenauer, percussion
Cleveland, Ohio native Kevin Ritenauer joined the St. Louis Symphony Orchestra as Associate Principal Timpanist/Section Percussionist in the Fall of 2022 following four seasons as a percussion fellow at the New World Symphony in Miami Beach. Mr. Ritenauer is an alumnus of the Manhattan School of Music, the Cleveland Institute of Music and has spent summers as a fellow at the Tanglewood Music Center as well as the Music Academy of the West.
Kyle Lombard, violin
Kyle Andre Lombard is a native of Kansas City, Missouri. He graduated with honors from Indiana University and received his Masters’s Degree from Yale University. Mr. Lombard enjoys a variety of musical activities. As a chamber musician, Mr. Lombard has performed throughout Europe, the Middle East, and the U.S. He has recently performed on chamber music programs at Carnegie Hall and the Ravinia Festival’s “Rising Stars” series. As part of the Ritz Chamber Players, he featured in the University of Washington’s esteemed “World Series of Chamber Music, ” including a radio broadcast on Seattle’s KING FM classical music station. As a member of the Goffriller Piano Trio, Mr. Lombard’s performances were broadcast on Israeli Public Radio during Isaac Stern’s 3rd International Chamber Music Encounters in Jerusalem. He also performed, as a member of the Gateways Chamber Music Ensemble, in a weeklong residency with the Chicago Symphony Orchestra.
As a soloist, Mr. Lombard debuted with the Kansas City Symphony. At age sixteen, he was the first area musician ever invited to perform with the ensemble. He has also concertized with the Savannah Symphony and the Sphinx Symphony and recitals at MOJA Festival in Charleston, S.C., and Southern Illinois University. Lombard was also featured in “Young Heroes of Music,” a live radio broadcast from Classic 99 FM of Saint Louis.
Mr. Lombard completed a two-year fellowship with the Saint Louis Symphony Orchestra in 2001. He has been performing with the orchestra since the 1999 season. He proudly maintains a regular presence with the SLSO Community Partnership Program, which brings symphony musicians to many schools, churches, and community events around Saint Louis.
Laura Reycraft, viola
Laura Reycraft received her Bachelor of Music in Viola Performance from The Cleveland Institute of Music in 2003 as a student of Jeffrey Irvine and Lynne Ramsey. In 2005, she completed her studies at the University of Maryland, College Park where she worked with Daniel Foster and Michael Tree. Since moving to St. Louis in 2006, she has played regularly as a substitute musician with the St. Louis Symphony. Laura is one of the Artistic Directors of Chamber Project Saint Louis, an ensemble founded in 2007 with which she also performs chamber music regularly, one of her passions. She also holds the position of Violin Specialist at City Academy, a private independent elementary school in North St. Louis where she teaches violin group classes for 1st-6th grade students. In her free time, Laura savors time with her husband and three sons, and enjoys cooking, baking, traveling, and reading.
Megan Stout, harp
Megan appears regularly with the St. Louis Symphony and is passionate about chamber music, performing with the Chamber Music Society of St. Louis and Chamber Project St. Louis. She also plays with the major opera companies in St. Louis, including Opera Theatre, St. Louis, Winter Opera, and Union Avenue Opera. Megan was named the harpist for the MUNY orchestra in 2018. She performs with many ensembles throughout St. Louis and the area including the Fox Theatre, Bach Society of St. Louis, Masterworks Chorale (IL), and Metropolitan Orchestra of St. Louis, to name a few. She has also appeared with the Indianapolis Symphony and Philadelphia Orchestra.
Megan is on faculty at the Department of Music at Washington University in St. Louis and Webster University. In addition, she has a highly successful private teaching studio. Her students have achieved honors including principal harpists of the St. Louis Symphony Youth Orchestra and All State Orchestra, National Youth Orchestra, finalist for the Fox Teen Talent Competition, winner of local concerto competitions, top awards at the Mid America Music Festival Solo Competition, scholarships to Brevard Music Festival (NC), Indiana University, and Northwestern, and they have attended the Young Artists Harp Seminar (GA), Curtis Institute of Music Young Artist Summer Program (PA), and Summer Harp Academy (NC). She is a graduate with both a Bachelor and Master’s Degree in Harp performance from the Jacobs School of Music at Indiana University where she studied with Susann McDonald.
Meroë Khalia Adeeb, soprano
American soprano Meroë Khalia Adeeb has portrayed some of the most iconic roles in the soprano repertoire. At Tri-Cities Opera, she performed as Violetta in La traviata and Mimì in La Bohème under the baton of Maestro Vlad Iftinka. She also captivated audiences as Clara in Porgy and Bess at the Glimmerglass Festival, directed by Francesca Zambello and conducted by
Maestro John Demain. Additional major roles include the title character in Puccini’s Suor Angelica, Donna Elvira in Don Giovanni, Nannetta in Falstaff, Gilda in Rigoletto.
Most recently, she appeared as Nedda in Pagliacci and Micaëla in Carmen at Union Avenue Opera, Isabelle in The Passion of Mary Cardwell Dawson at Pittsburgh Opera, Sadie Donastorg Griffith in Blanchard’s Champion at Lyric Opera of Chicago, and in the ensemble of Porgy and Bess at the Metropolitan Opera.
Her career has included world premieres such as Annie in The Flood at Opera Columbus, and in Opera Theatre of St. Louis’ New Works Collective as Melodee and Grace in Unbroken and On my Mind. She has also performed Frasquita in Carmen with Annapolis Opera, Clara in Porgy and Bess with Fort Worth Opera and Teatro Regio di Torino, and Galatea in Acis and Galatea in
a virtual co-production with Annapolis Opera and Tri-Cities Opera.
Ms. Adeeb has earned recognition in prestigious vocal competitions, winning 3rd place in the Mid-Atlantic region of the Metropolitan Opera National Council auditions and 2nd place in the Deborah Voigt/Vero Beach Opera Foundation Inaugural International Vocal Competition. She has also performed as the Soprano soloist in Beethoven’s Symphony No. 9 with the Columbus Symphony, showcasing her versatility beyond the operatic stage.
Nadine Hur, flute
Flutist Nadine Hur enjoys a remarkable career of great diversity and success as an orchestral performer, chamber musician, and soloist.
Ms. Hur is currently the Principal Flutist of the ProMusica Chamber Orchestra. As former Principal Flutist of the Knoxville Symphony Orchestra, she has also appeared as guest Associate Principal Flutist with the Boston Symphony (Tanglewood Music Festival) and with the Minnesota Orchestra. Ms. Hur has performed in numerous prestigious festivals, such as the Mostly Mozart Festival at Lincoln Center, the Bard Music Festival, the Norfolk Chamber Music Festival, the Lincoln Center Outdoors Concert Series, as well as the Embassy Series in Washington D.C., and the Chautauqua Institution.
Ms. Hur is a founding member of the Zephyros Woodwind Quintet, the first woodwind quintet to win both the First Prize and the Grand Prize of the Fischoff National Chamber Music Competition. The Zephyros Quintet subsequently toured the United States extensively under MCM Artists Management.
Ms. Hur began her solo career as a prize winner of the First Japan Flute Convention Competition at the age of 9 and made her concert debut with the Honolulu Symphony at age 11. In addition to the Knoxville Symphony, she has also appeared as a soloist with the Korean Broadcast Symphony (National Symphony), Seoul Philharmonic, Knoxville Symphony and the ProMuscia Chamber Orchestra.
She is a graduate of the Curtis School of Music (Bachelor of Music) and The Juilliard School (Master of Music and Professional Studies), where she studied with Jeffrey Khaner, Julius Baker, and Jeanne Baxtresser.
Ms. Hur enjoys teaching young students, and many have gone on to further their studies at leading universities and conservatories in the United States. Ms. Hur is in continued demand as a guest Masterclass Presenter and Lecturer.
Ms. Hur currently makes her home in St. Louis with her husband, David Kim (Assistant Principal Cellist, St. Louis Symphony), and her son, Alexander.
Nathan Lowry, violin
Nathan Lowry was appointed to the SLSO’s second violin section in 2023 by Music Director Stéphane Denève. Born and raised in Nashville, Tennessee, Lowry began violin through the Suzuki method at age four, learning from Mary Helen Law. Throughout his teen years, he attended the pre-college program at Vanderbilt University’s Blair School of Music as a Myra Jackson Scholar, where he would later go to earn his Bachelor of Music under the tutelage of Christian Teal and Carolyn Huebl. He received his master’s degree at Indiana University’s Jacobs School of Music, studying with Alexander Kerr, and then earned his Artist Diploma from Rice University’s Shepherd School as a student of Paul Kantor.
An avid performer of contemporary music, Lowry held a fellowship position with the Aspen Contemporary Ensemble for the festival’s 2019, 2021, and 2022 seasons, having performed numerous recent works by contemporary titans as well as premiering dozens of works by eminent young composers under the batons of Donald Crockett and Timothy Weiss. Lowry performed as soloist with the ensemble in the 2021 summer season, performing Sid Hodkinson’s Violin Concerto-Fantasia Bricks. He also acted as first violinist for the 2017-2018 Indiana University New Music Ensemble led by David Dzubay, working with leading composers such as Augusta Read Thomas, Kate Soper, and Gabriela Ortiz. In summer 2018, he traveled with NME to Mexico City, holding an inaugural concert at the Universidad Nacional Autónoma de México as part of Indiana University’s Mexico City gateway opening. Additionally, he has participated in programs with Houston-based new music collectives Loop38 and KINETIC as part of their 2019-2020 concert season. He aspires also to explore underrepresented gems in the violin repertoire, and has been working on a project to record all of Bulgarian composer Petar Christoskov’s 24 Bulgarian Caprices.
Lowry made his solo debut at the Eastern Music Festival in 2011, winning the festival’s concerto competition with Pablo de Sarasate’s Zigeunerweisen. He would go on to receive the same honor the following summer season, performing the first movement of Erich Korngold’s Violin Concerto, which he would later perform with Blair School’s Curb Youth Symphony, as well as the Paducah Symphony Orchestra. During his third season at the Eastern Music Festival, he performed the concertmaster solos to Richard Strauss’ Ein Heldenleben.
As an orchestral musician, Lowry has held concertmaster and principal second violin positions at both the Colorado College Music Festival and Eastern Music Festival, as well as the Curb Youth Symphony and Vanderbilt University orchestras. Other leadership roles include principal positions with the Evansville Philharmonic and Owensboro Symphony Orchestras. He is a frequent substitute musician for the Nashville Symphony, as well as a freelance player for many orchestral recording sessions at Oceanway Studios, recording soundtracks for TV shows, movies, and videogames.
When not making music, Lowry is an avid hiker, and aspires to summit Colorado’s 58 peaks above 14,000 feet in elevation.
Nina Ferrigno, piano
Nina Ferrigno, described by the St. Louis Post Dispatch as “a magnificent pianist,” is a collaborative artist at home in a multitude of diverse musical settings. Her playing is said to be, “…always precise with superb accentuation and warmth of feeling…”. Nina is a founding member of the Boston-based Calyx Piano Trio which excites audiences throughout the United States with expressive ensemble playing and brilliant virtuosity. She has been a featured soloist with such ensembles as the St. Louis Symphony Orchestra, Boston Pops, and the Boston Modern Orchestra Project (BMOP). Recent orchestral keyboard appearances include those with the Chicago Symphony and St. Louis Symphony.
Her festival appearances include those at Tanglewood with members of the Boston Symphony, Banff, Norfolk, and the Skaneateles Festival. She also appears regularly at the Carolina Chamber Music Festival and Missouri Chamber Music Festival where the Calyx Piano Trio holds residencies. Ms. Ferrigno is a graduate of New England Conservatory of Music, where she received degrees with distinction. She is especially committed to bringing classical music to new audiences and expanding the repertoire by working with organizations including Chamber Music America and the Barlow Foundation to commission and perform new works in a variety of settings. The New Music Connoisseur has said of her, “pianist Nina Ferrigno [brings] out the inherent horizontal logic…all the while imparting sonic beauty from end to end.” Nina is a Founder and Director of the Missouri Chamber Music Festival, now in its 13th Season, in St. Louis. She is on the teaching faculty of Washington University and Webster University in St. Louis.
Robert Walker, clarinet
Robert Walker is the Associate Principal Clarinet and Eb Clarinetist of the Saint Louis Symphony Orchestra. He was previously a member of the Pacific Symphony and the Louisville Orchestra, and a graduate of the University of Southern California and The Juilliard School.
Sixto Franco, viola
Sixto is a music and performing arts enthusiast, composer, improviser, arranger, teacher and founding member of the Quijote Duo. He is a member of the Lousiana Philharmonic since September of 2022. He is enjoying an active career in the musical arts, having concertized in Europe, United States, Mexico and Uruguay. Sixto Franco is passionate about chamber music and the development of contemporary and experimental music, and has had the honor to perform with Versipel Ensemble, the nienteForte Festival, Eighth Black Bird, International Chamber Artists, Symbiosis Ensemble in L.A., Music of the Americas Project, the Chicago Ensemble, Chicago Chamber Orchestra, the Chicago Chamber Music Festival, the Gesher Music Festivaliand the St. Louis Chamber Music Festival.
The creative side of Sixto Franco has pushed him to venture into composition. He has written music for different mediums such as chamber music, theater and dance. He made his debut on February 2011 premiering his work “Blanco y Negro” in a Cancer Benefit Concert promoted by the Spanish Consulate in Los Angeles. The “malArte Association” of Valencia, Spain, premiered his piece Five “O’clock Tabu” as the soundtrack for the interdisciplinary work with the same title. He has arranged music for orchestra and bands such as the LPO, IFE and Deepa Soul.
Sixto is the co-oartistic director of the nienteForte-Versipel ensemble and was also the co-curator of the Mu Live concert series, a performance series that strived to highlight local artists by pairing music, sculptures and visual art.
Shen Wen, piano
Pianist Shen Wen, performer, educator, and creator, thrives on making music fun and enjoyable for people from all walks of life. Born into an artistic family, Wen’s childhood was filled with trips to concert halls and galleries. This exposure quickly translated into an understanding of music in her playing. At age seven, she won her first piano competition in Beijing, China, and at eight years old, Wen performed on Chinese national television and radio for the first time.
Since then, Wen has performed across the globe. She has concertized and performed as a soloist at venues such as the Tchaikovsky Conservatory College, Shostakovitch Conservatory, Rachmaninov Hall, Powell Symphony Hall, Tsinghua University, Central Academy of Fine Arts, and Great Hall of People in China. Her performances have been heard on radio in St. Louis and Chicago.
Wen is an avid New Music performer and has numerous pieces written and dedicated to her. At Jordan Hall in Boston she performed Schoenberg’s Pierrot Lunaire without a conductor and worked with the late Milton Babbitt before performing A Solo Requiem for two pianos and soprano. Also at Jordan Hall, Wen premiered “Whitman 5 songs” for soprano and piano at the request of the composer, Robert Ceely. In 2013 she recorded and released Joseph Tyldesley’s Sonata for Native American Flute and Piano; a piece which explored extended technique with Native American flute through traditional western musical forms.
Wen is a graduate of New England Conservatory where she studied with Wha Kyung Byun. She also attended the Preparatory School of the Central Conservatory of Music in Beijing, China.
Yin Xiong, cello
Music Director David Robertson appointed Cellist Yin Xiong to the cello section of the St. Louis Symphony Orchestra at the start of the 2016/2017 season. Yin was awarded notable prestigious prizes from an early age, including the 4th International Tchaikovsky Competition for Young Musicians and top prizes at the 4th and 5th National Cello Competition of China. She won the Hong Kong Academy for Performing Arts concerto competition for an unprecedented five consecutive years. Yin debuted with the Hong Kong Philharmonic Orchestra as a soloist at age 17 under conductor Edo de Waart. She has also collaborated with conductors János Fürst, François-Xavier Roth, and Alexander Shelley.
Her parents – both professional cellists – strongly influenced Yin. As a member of the Academy String Quartet, she represented the Hong Kong Academy for Performing Arts and regularly gave concerts in Asia and Europe. As part of the Hong Kong-based cello ensemble, Cellistra Yin presented concerts and community engagement activities throughout Asia. She was the founding cellist of the Hsin Trio, with whom she gave the American debut of the Toshio Hosokawa’s Piano Trio, was featured in the Juilliard Open Studio, and gave concerts across the United States and China.
As an orchestral musician, Yin received her first job at the age of 20, joining the Hong Kong Sinfonietta and performing regularly with the Hong Kong Philharmonic Orchestra. Yin has also served as the principal cellist of the Hong Kong Academy Orchestra, and the Oberlin Orchestra, and was co-principal of the Juilliard Orchestra. She was the principal cellist of the Pacific Music Festival from 2006 to 2009, where she had the privilege to work with conductors Valery Gergiev, Riccardo Muti, Christoph Eschenbach, and Michael Tilson Thomas.
Yin was a fellowship student at the Aspen Music Festival and School, where she was part of the Finckel–Wu Han Chamber Music Studio Program. Other festivals include the Kronberg Academy in Germany, Kneisel Hall, Banff Chamber Music Residency, and the Taos School of Music.
As a dedicated music educator and advocator, Yin was a faculty member of the Hong Kong Academy for Performing Arts, Macau Youth Orchestra. She was also a teaching assistant for Professor Darrett Adkins at the Oberlin Conservatory.
Born in Shanghai, China, Yin attended the Shanghai Conservatory and the Hong Kong Academy for Performing Arts on a full scholarship to study with Professor Ray Wang. She holds a Professional Diploma With Distinction from the Hong Kong Academy for Performing Arts and an Artist Diploma from the Oberlin Conservatory. Yin recently graduated from the accelerated Bachelor’s and Master of Music program at the Juilliard School, where she studied with Darrett Adkins and Joel Krosnick. She took secondary lessons with Catharina Meints at the Oberlin Conservatory and Phoebe Carrai at the Juilliard School. Besides playing the cello, Yin also enjoys playing the baroque cello and viola da gamba.
“MOCM is one of the highlights of my year. The combination of good friends, great music-making, and wonderfully appreciative audiences makes MOCM an artistically satisfying experience and one I look forward to each year. Nina Ferrigno has created something truly unique that has captivated and delighted St. Louis audiences. I am delighted to be a part of it!”
– Catherine French, violin
